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Learning new drawing methods to free the process from rational control made me discover an interesting connotation of the line. As part of the inquiry about the liminal space between shape and surface, I translated the two-dimensional drawn line into a 3D object both in metal wire and in clay.

Pic 1: porcelain, wire; 40 x 50 x 4cm; 400£.

Pic 2: crank clay; 50 x 80 x 4cm; sold.

Pic 3: crank clay; 160 x 120 x 4cm; sold.

Pic 4: firing process.

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